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It was a gorgeous property, surrounded by 100 acres of fertile land, and the crown jewel of the estate was the house. In 1804, a man named John Bell moved his wife Lucy and their children to a stately farmhouse in Tennessee, about 50 miles north of Nashville. Today, we’re going back over 200 years to Adams, Tennessee, the site of the most well-documented haunting in all of American History. It’s a story about fear in rural America, a family driven to the edge, and a curse that has lingered for generations and kept an icy grip on the land where it was born. Which is a real shame, because the legend at the heart of the film is richer, deeper, and much more terrifying than anything that made it onscreen. The film was met with harsh criticism that acknowledged its polished look and capable acting, but asked: “Wasn’t it supposed to be scary?” Sadly, audiences and critics alike just didn’t get the thrills and chills they were expecting from An American Haunting. The film was based on the novel “The Bell Witch: An American Haunting” by Brett Monahan, which claimed in turn to be based on a real American legend. The film was written and directed by Courtney Solomon and boasted an all-star cast including Donald Sutherland, James D’arcy, and Rachel Hurd-Wood. In 2005, Sissy Spacek, famous for her brilliant, blood-soaked performance in DePalma’s adaptation of Stephen King’s Carrie, returned to the world of horror cinema with An American Haunting. You can also unlock hundreds of hours of exclusive content in The Barrens (Patreon), including their new spinoff series, Talkin’ Hawkins, which sees them dissecting each season of Stranger Things for the next four months.įacebook | Instagram | Twitter | Patreon | Store For further adventures, join the Losers’ Club over long days and pleasant nights via Apple Podcasts, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. Stream the three-hour book episode below and return next week when the Losers invite another special guest to the Derry Public Library for a spirited chat within King’s Dominion. Is its stark portrait of good and evil simplistic or subversive? They also discuss its role as a narrative bridge in King’s Dark Tower saga, and how its portrait of Mid-World dovetails with the fantasy world of The Talisman.
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In this episode, Losers Randall Colburn, Jenn Adams, Dan Caffrey, and Dan Pfleegor grapple with the story’s tonal irregularities and celebrate its unbridled nastiness.
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Called Black House, it nudged up against King’s Dark Tower mythos in its tale of a serial killer in a small Wisconsin town.īlack House is an odd duck, a behemoth of a sequel that’s as funny as it is grisly. It took them 17 years, but in 2001, a sequel followed. Together, the pair wrote 1984’s The Talisman, a fantasy epic about a gifted boy who pivots between two worlds as he crosses the country in search of the story’s magical namesake. He’s collaborated with numerous writers, filmmakers, and innovators, but no one’s challenged him quite like Peter Straub, the writer of books like Ghost Story and Julia. The Breakers in the basement, making all the money…” “The King is in his Tower, eating bread and honey.